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Hanging out with Rihanna is every bit as fun as her costars in the upcoming Ocean’s 8 movie make it sound: You know you’re in the presence of a superstar, but it’s like you’re chatting with an old friend. “You better werk, girl you look gorgeous!” I do my best to play it cool, but the little fangirl inside me is freaking out. “What is that dress? Is that vintage Jean Paul Gaultier?” she asks, pausing on my profile picture, a bathroom selfie taken in a swanky Hollywood hotel. Rihanna asks if she can take a look through the photos on my app, and I oblige. Though I have taken great pains to put together what I think is a Rihanna-worthy look- Jacquemus blouse, vintage Yves Saint Laurent tuxedo pants-it’s hard not to feel like a tarnished penny next to a freshly minted gold coin as I sidle up to her on the sofa.
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“Come sit here you gotta teach me how to do this swipe thing.” Rihanna is all curled up in a cozy hotel bathrobe and has a pair of comfy Fenty Puma slides on her feet, and yet she radiates flawless glamour-hair tousled in loose waves, skin luminous. “So wait, you’re on a dating app? You don’t seem like the dating-app type,” she says as her almond-shaped green eyes peer into my iPhone.
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Right now, though, there is a more pressing issue on the agenda, one that demands her full attention: Rihanna has decided that it’s time to fix my love life. There is a stack of Fenty Beauty campaign printouts piled high on her desk awaiting her approval a flood of unanswered emails from Fenty team members in various time zones, all happily waiting on her too. It’s perhaps why she doesn’t seem particularly bothered that today’s to-do list is far from done. And when you’re Rihanna, and the world is your oyster, then time is really elastic. In the dark, soundproofed environment of a recording studio, time is elastic.
Her most intense bouts of creativity often come after midnight, a rhythm she picked up early in her music career. The evening panorama from the terrace is about as picture-postcard pretty as Paris gets, though at this late hour the lights on the Eiffel Tower have long since gone out. It’s a foggy spring night in Paris, and Rihanna has just wrapped up a meeting with her accountant in the penthouse suite of the Four Seasons hotel, a place that will serve as her makeshift office for the next few days. “People save for their whole lives to go on vacation there, and it’s easy to take that for granted,” she says.
After leaving Def Jam in 2014 for a spot with Jay-Z’s Roc Nation, she took greater creative control for 2016’s ANTI, her most diverse album yet.The singer describes her home, Barbados, as paradise. Her tracks are inescapable-“Umbrella,” “Don’t Stop the Music,” “Rude Boy,” “Work”-but also have genuine personality, not to mention a carnal sense of expressiveness that sets her apart: Rihanna’s changes don’t seem like the product of high-concept self-reinvention so much as gut feeling. By 2007’s Good Girl Gone Bad, she’d expanded the sunny Caribbean pop of her early work for sleek hybrids of hip-hop, R&B, club music, and rock. Her 2005 debut, Music of the Sun, went Gold when she was just 17. She was making things up as she went along, but when she went, she went full-steam ahead.īorn in Barbados in 1988, she left high school to pursue music. Describing the chameleonic nature of her clothing line, Fenty-the first female-created brand for LVMH, not to mention its first luxury label run by a black woman-Rihanna said the line didn’t have any fixed look, in part because her own was always changing. Though her biggest tracks tend toward some variety of dance pop (mixed with reggae, EDM, dancehall, R&B, and so on), a closer listen reveals an artist willing to try just about anything-and the uncanny grace to sound good doing it. Fast-forward to the present day and there remains something effortless about Rihanna, a sense of confidence that transcends any one narrative or style.
Most of all, she had ideas and seemed comfortable expressing them. She took a leading role in group activities. A report card for Robyn Rihanna Fenty, first issued by a school back in Barbados’ Saint Michael parish and later reprinted in a giant coffee-table book called RIHANNA, stated, in part, that the young Fenty was positive, sure of herself.